WITHOUT A DOUBT, this film is in fact child pornagraphy according to the Department of Justice’s legal definition…
After studying and exposing the agendas of establishment elites for the past 14 years, I can say with some authority that by watching these people you quickly begin to understand the reality of evil. Anyone who dismisses the concept of evil as nothing more than a “social construct” or a matter of “perception” is suffering from either naivety or bias.
They have either been lucky enough to have avoided a run-in with the resident psychopaths in their town, or, they have certain secret tendencies they will not reveal. One thing that I have found most disturbing is the habit of evil people to quickly come to the defense of other evil people they don’t even know. That is to say, I was initially shocked to discover the extreme level of fraternity predatory people feel and display when other predatory people are being exposed. It is as if they are an unspoken brotherhood, and they don’t like it when their kinsmen are being punished for their crimes.
Yes, there are such things as ignorance, greed, jealousy, unhealthy desire, etc., and all of these frailties can lead to evil deeds. That said, in the majority of cases you will find that MOST people feel guilt, regret, empathy and remorse that prevent them from following through with their basest instincts. This is what we commonly call “conscience”, and a greater number of people have it. Without it, our species would have self-destructed and gone extinct thousands of years ago.
With psychopaths, however, it’s not only about a complete lack of empathy and conscience; they also often take JOY in the destruction, debasement and exploitation of others. Standard sociopaths harm people in the process of getting what they want because they do not have the capacity to care. Psychopaths harm people because THAT IS THEIR GOAL. Think of it as a kind of kink; they lust after control over others, they get high from it. And, their most sought after drug of choice is the violation of innocence.
In my lifetime I have met epic liars, con-men, rapists, murderers and even pedophiles, and their habits and mannerisms all tend to be the same. With every encounter you receive a crash course in evil and begin to learn how to identify them by their character ticks and broken thought processes. It gets to the point where they actually become boring and predictable.
While Hollywood loves to romanticize psychopaths as eternally interesting, in real life they are more like robots or mindless machines. Most of them are good at what they do, which is to be predatory or parasitic, but it’s their ONLY skill set – It’s the only thing that defines them. Otherwise, they have no capacity for imagination or creativity and all of their thoughts and ideas are stolen from others and recycled. In fact, you will find that if you are near a psychopath for an extended length of time, he/she will start to talk and act just like you. This is what they do; they seek to blend in.
Some people have a hard time grasping the nature of psychopathy and evil because they have lived sheltered lives and remain blissfully unaware of the danger.
It is certainly possible to bumble through life without encountering such aberrant individuals. Full blown psychopaths (also known as narcissistic sociopaths) are rare in the grand scheme of human society. They represent around 1% of the population statistically, with narcissists and people with sociopathic tendencies representing around 5% of the overall public. And it’s a good thing, because a stunning majority of violent crimes tend to be committed by pyschopathic people. They are, by far, the primary drain on criminal justice resources and the biggest threat to social stability and safety.
If someone really wanted to change humanity for the better they could NOT do it without first removing psychopaths from the equation. This means, most importantly, removing them from positions of power and cultural influence. The problem is, there is no way to accurately and easily test for psychopathic traits preemptively. Extensive psychological observation in a controlled environment is required.
Standard psychological tests can be fooled, and brain-scan tests are highly suspect (there are people who have tried to make a career out of the pyschopath brain-scan game but there is still no proof that the tests do anything to preemptively identify such traits). Ultimately, psychopaths have to be judged on their actions and behavior over time by someone who is very familiar with their universal personality traits.
That said, once these people identify themselves through action something has to be done about them. If they are allowed to continue without resistance they will follow their path to its natural conclusion, which means terror and carnage for anyone they come in contact with.
In order to protect themselves and their activities, psychopaths do indeed organize together. It has happened over and over again through history and the more intelligent or cunning members usually group together within the upper echelons of society by infiltrating institutions of power. Again, the concept of the “lone psychopath” is a Hollywood creation that does not represent real life. As long as there is mutual gain to be had and there are plenty of victims to go around, psychopaths can easily unify.
Hollywood has proven itself over the years to be a haven for evil people. Not so much in terms of the celebrities (though many of them are narcissistic and sociopathic), but more in terms of the people that control the industry. The entire edifice was designed as a haven for subhuman tendencies. They have celebrated this openly in the past, though these days they pretend as if they are cleaning house.
The machine of Hollywood is a vampire’s trap, a shining beacon luring in talented (or at least hopeful and starstruck) people, draining them of all life and then spitting them out once the feeding has finished. This is particularly true of children, and the number of cases of child abuse in the industry is staggering. If it were any other business, the media would be up in arms in terms of the number of convictions and allegations. If the fast food industry had as many pedo charges as Hollywood, the MSM would be writing thousands of articles a year admonishing the burger barn molestation epidemic. But when it comes to Hollywood, mainstream journalists rabidly defend the people at the top and attack critics as “conspiracy theorists”.
The propensity for psychopaths to value children as their most sought after targets is well known. It’s not necessarily always sexual, sometimes it’s only physical or mental abuse. But, children are a delicacy to them none-the-less. What could be more enthralling to evil than to destroy the life of a purely innocent person and take their childhood away?
It is only in recent years that pedophilia in Hollywood has been taken more seriously by the general public. The Hollywood elites that dominate high level corporate positions have been the purveyors and controllers of America’s cultural expression for almost a century, and yet they are rarely subject to scrutiny. It is their own actions that have created the recent groundswell movement to root out organized child abuse.
Psychopaths are driven by crooked and twisted desires, but they are also driven by a desperate need to “prove” that the rest of society is as evil or as disturbed as they are if given the right “push”. This is one of their greatest weaknesses, because it causes them to make mistakes and expose their true natures.
Enter the Netflix film ‘Cuties’…
I have now watched portions of this film, including dramatic story scenes to get a fair sense of the total content as well as some clips of the notorious scenes that have enraged the public. And, I can say WITHOUT A DOUBT, this film is in fact child pornagraphy according to the Department of Justice’s legal definition. A warning – I do NOT recommend watching this movie yourself, but if you do, be aware that the content is highly upsetting.
If you heard from the mainstream media that the reaction to this film was “overblown” and part of a “right wing conspiracy”; then I’m here to tell you that you were lied to. While I continue to hold to my position that Qanon is a joke and a psyop that has been wrong about almost every single prediction they have made, you don’t have to be a part of the Q-cult to see the attempt to normalize pedophilia at the foundation of Cuties.
Arguments made by the predominantly social justice media have exposed where they really stand on the issue of evil, and they are all for it! Once again, the hard political left exposes its true nature when it comes to the defense of terrible content. There have been hints of this in previous campaigns by the media, such as left-wing outlet Salon and an article they published in defense of pedophilia written by a self-professed pedophile. Their argument? That pedophilia should be treated with more empathy as long as pedophiles do not act on their impulses. Salon later took down the article, but other media outlets argued that they should have left it published.
Initially, the criticism of the Cuties movie trailer was met with jeers from media pundits, the only people who had yet seen the film in its entirety. They claimed that critics had no idea what they were talking about and that the trailer did not convey the true message of the film, which is supposedly that sexual exploitation of children is “bad”. Yet, when the film was released it became clear this was a lie.
You can wrap child porn in as many declarations of “art” and “discourse” as you like, but at the end of the day it’s still child porn. The fact that it was directed by a woman from western Africa that migrated to France is irrelevant. African women migrants can be pedophiles and psychopaths, too. And yes, anyone that would expose 11 year old girls to this kind of filmmaking is indeed a psychopath.
The cinematography methods and camera angles are what give it away, and anyone that has studied film understands how this works. Sexualized film subjects tend to lend themselves to a certain form of cinematography which is designed to glamorize and entice.
For example, watch the film ‘Dancing At The Blue Iguana’ (which I actually like), a movie about the sordid lives of strippers trying to survive in Los Angeles. Take note of the camera work in that movie, and then, if you can stomach it, compare it to the dance scenes in Cuties. The camera work is THE SAME, hovering over certain body parts voyeuristically. The difference is that ‘Dancing At The Blue Iguana’ stars ADULT WOMEN, not 11 year old girls.
Cuties is often defended by the media as being a Sundance “award winning” film; meaning, if the art-house elites sign off on it, it is therefore socially and morally acceptable material. It’s just “too smart” for the plebeians to grasp, right? Well, I am a long-time film buff myself and I know when I am looking at “art” and when I am looking at exploitation, and Cuties is clear-cut exploitation.
It should also be noted that the co-founder of the Sundance Film Festival plead guilty to child sex abuse charges only a year ago. So, maybe having the Sundance award emblem on a film is not a free pass for pedophilia.
Of course, the movie Cuties is not the first time Hollywood has tried to normalize the sexualization of children. In 1932 and 1933, right at the onset of the Great Depression, producer Jack Hays and director Charles Lamont released a series of at least eight films which would be dubbed “Baby Burlesque”. The films featured extremely young actors and actresses, including Shirley Temple before she was a box office juggernaught, acting out adult stories and scenes, dressed in adult costumes.
The movies contained pervasive sexual overtones, and if you are familiar with the ways Temple was viciously abused by Hollywood producers during her time as an actress the films have an added darkness to them.
The formula for Baby Burlesque movies was to portray young actors in adult situations and then label it “parody”. This included a young Temple playing a hooker dressed in revealing “street clothing” and discussing how much she costs. Temple’s later films would portray a young child, often an orphan, adopted by or spending the entire film with a rich benefactor. Parents usually do not make an appearance in the films or are killed in some tragic way, leaving the child alone and vulnerable. The dances and even songs in the movies are semi-erotic, especially for the era. The relationships between the children and the adult benefactors is bizarre, and is usually portrayed as an almost romantic interaction instead of a normal adult/child caretaker interaction.
Hollywood has been doing this for a LONG time. Cuties is nothing more than a modernized version of Baby Burlesque.
To be clear, Netflix did not make the film, they only bankrolled the distribution of it. That said, their promotional trailer for the movie directly showcased the sexual elements and not much else, which indicates to me what they REALLY cared about, and it wasn’t the story. Once the movie was released to the public it became obvious that the trailers for the film didn’t even scratch the surface of the actual pedophilic content.
The casting for the film took 6 months to complete and over 700 girls were “auditioned” for the starring roles. Director Maïmouna Doucouré continues to defend the film, calling it a “feminist” project. This is not surprising; the unhinged and mentally disturbed nature of the social justice movement lends itself to all kinds of disorders. The biggest problem is their infatuation with moral relativism and their ability to rationalize any number of crimes in the name of “diversity” or “equality” or “intersectionality”. These are hollow buzzwords made up by hollow people; they don’t excuse bad behavior.
As with Baby Burlesque, child pornography is often masked as something else. In the case of Cuties, child exploitation is masked as a loose commentary on child exploitation. Is it blind irony? No, not really. Rather, in my opinion, it was planned.
I do find it interesting that the pedophile networks in Hollywood seem to choose the most unstable moments in history as a springboard for introducing child sexualization into the public consciousness. They flooded the entertainment market with Baby Burlesque films right at the beginning of the Great Depression. Now they are pushing the envelope even further during a pandemic, riots and economic crisis today. My theory? They see the widespread weakness and uncertainty in our society and view it as an opportunity to fundamentally change our moral boundaries.
The elites really want us to look at films like Cuties and say “Gee, this pedophilia thing isn’t as bad as it’s made out to be…and maybe it’s not wrong to be aroused by 11 year old children…” Some people are in fact saying this on YouTube right now as they come to the defense of the film.
Bottom line: If you are aroused by 11 year old children then you are psychologically defective and should be separated from the rest of society for the good of all. There are certain behaviors that cannot and should not ever be adopted by society as tolerable. This is one of them.
If there is anything positive to be had from the elitist establishment’s obsession with getting us to accept child abuse as “normal”, it is that they continue to expose the demons that they are. Luckily, it seems America and much of the world has rejected Cuties outright, and any interest in the film seems to be due to morbid curiosity about how such a disaster could have been produced and distributed. Hollywood is NEVER going to convince the public that child abuse is okay, but they will continue to try until we put them out of business.
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